{"id":137,"date":"2026-09-17T14:37:15","date_gmt":"2026-09-17T12:37:15","guid":{"rendered":"https:\/\/jpasc.fr\/?p=137"},"modified":"2026-09-17T22:08:51","modified_gmt":"2026-09-17T20:08:51","slug":"festival-visa-pour-limage-2-entre-photo-boum-boum-et-art","status":"publish","type":"post","link":"https:\/\/jpasc.fr\/index.php\/2026\/09\/17\/festival-visa-pour-limage-2-entre-photo-boum-boum-et-art\/","title":{"rendered":"Festival \u00ab\u00a0Visa pour l’image\u00a0\u00bb (2) : entre photo \u00ab\u00a0boum-boum\u00a0\u00bb et art ?"},"content":{"rendered":"\n

Le 16\/09\/2026<\/p>\n\n\n\n

Derri\u00e8re cette approche provocatrice il y a une vraie question qui nourrit des tensions internes chez les photographes eux-m\u00eames, dans l’histoire de la photographie et bien s\u00fbr chez les spectateurs, critiques, universitaires qui organisent la r\u00e9ception des photographies.<\/p>\n\n\n\n

Jean-Fran\u00e7ois Leroy <\/a>rappelle dans \u00ab\u00a0Le devoir de regarder\u00a0\u00bb le d\u00e9dain d’une universitaire face au travail d’un photographe de terrain. \u00ab\u00a0Est-ce que c’est un grand photographe ?\u00a0\u00bb <\/strong>Et plus loin, il cite les propos d’une conseill\u00e8re aux arts plastiques du minist\u00e8re de la culture : \u00a0\u00bb Visa pour l’image c’est du \u00ab\u00a0boum-boum\u00a0\u00bb quand m\u00eame !\u00a0\u00bb Pour r\u00e9pondre in fine que :<\/p>\n\n\n\n

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\u00ab\u00a0les photographies du r\u00e9el cessent d’\u00eatre un document jetable pour devenir une oeuvre quand on les expose, on les commente, quand on les transmet\u00a0\u00bb.<\/p>\n<\/blockquote>\n\n\n\n

Deux expositions posent implicitement la question cette ann\u00e9e : l’hommage \u00e0 Raymond Depardon \u00e0 la chapelle Saint-Dominique et \u00ab\u00a0L’odeur de l’Inde\u00a0\u00bb de Paolo Roversi \u00e0 l’h\u00f4tel Pams. <\/p>\n\n\n\n

Raymond Depardon… <\/h2>\n\n\n\n

Pour le premier cit\u00e9, le cartel de pr\u00e9sentation pr\u00e9cise qu’il cherche la bonne distance entre expression des faits et volont\u00e9 de construire une image durable et non \u00ab\u00a0jetable\u00a0\u00bb, entre travail de reporter et \u00ab\u00a0auteur\u00a0\u00bb.<\/p>\n\n\n\n

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Comme photographe, je me situe plut\u00f4t dans la cat\u00e9gorie des raconteurs d\u2019histoires, je suis dans le r\u00e9cit. Je n\u2019appartiens pas \u00e0 l\u2019\u00e9cole de l\u2019\u00ab instant d\u00e9cisif \u00bb. […] Quand nous \u00e9tions \u00e0 Gamma, nous \u00e9tions plus sensibles aux travaux de Don McCullin qu\u2019on voyait dans les suppl\u00e9ments du Sunday Times qu\u2019\u00e0 ceux des fondateurs de Magnum, qui \u00e9taient un peu abstraits pour nous.<\/p>\n\n\n\n

Raymond Depardon<\/p>\n<\/blockquote>\n\n\n\n

Disant cela Depardon se situe plut\u00f4t comme un raconteur d’histoire qui privil\u00e9gie la s\u00e9rie \u00e0 la \u00ab\u00a0photo d\u00e9finitive\u00a0\u00bb dans l’esprit de l’agence Magnum. Pourtant, beaucoup de ses photographies de photojournalisme sont devenues iconiques et semblent aujourd’hui tout aussi d\u00e9finitives. Raymond Depardon explique lui-m\u00eame comment l’instant<\/a> rencontre l’intemporel, le contingent rencontre l’universel. <\/p>\n\n\n\n

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\u00ab\u00a0Une photo iconique, c’est une photo qui a une harmonie…Il faut avoir un peu d’iconographie classique des grandes photos et de ses pairs, Cartier Bresson, Walter Evans…Mais il faut aussi que la photo parle…\u00a0\u00bb<\/p>\n<\/blockquote>\n\n\n\n

…et Paolo Roversi<\/h2>\n\n\n\n

Paolo Roversi est c\u00e9l\u00e8bre pour ses photographies de mode et ses portraits, beaucoup plus que par son travail de photojournalisme. Son exposition \u00ab\u00a0l’odeur de l’Inde\u00a0\u00bb rend compte d’un voyage\u00a0\u00bb aussi introspectif que spatial dans une Inde onirique suspendue entre r\u00e9el et illusion. Pour le visiteur de \u00ab\u00a0Visa pour l’image\u00a0\u00bb, ce qui surprend imm\u00e9diatement c’est le flou des photographies, leur lumi\u00e8re vibrante et leurs couleurs pass\u00e9es, bien \u00e9loign\u00e9s du style assertif des autres expositions. On acc\u00e8de ainsi \u00e0 un au-del\u00e0 synesth\u00e9sique des images. On entre dans une r\u00e9alit\u00e9 complexe ou la pauvret\u00e9, le quotidien parfois trivial c\u00f4toient le mysticisme. Comme chez Depardon mais par des proc\u00e9d\u00e9s tr\u00e8s diff\u00e9rents, les images sont iconiques et intemporelles parce qu’elles rencontrent d’autres images de l’histoire des arts visuels. On comprend aussi qu’il y a de multiples voies dans le photojournalisme qui l’\u00e9loignent d\u00e9finitivement de l’id\u00e9e qu’il pourrait n’\u00eatre qu’un sous-genre.<\/p>\n\n\n\n

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<\/p>\n","protected":false},"excerpt":{"rendered":"

Le 16\/09\/2026 Derri\u00e8re cette approche provocatrice il y a une vraie question qui nourrit des tensions internes chez les photographes eux-m\u00eames, dans l’histoire de la photographie et bien s\u00fbr chez les spectateurs, critiques, universitaires qui organisent la r\u00e9ception des photographies. Jean-Fran\u00e7ois Leroy rappelle dans \u00ab\u00a0Le devoir de regarder\u00a0\u00bb le d\u00e9dain d’une universitaire face au travail … Lire la suite<\/a><\/p>\n","protected":false},"author":1,"featured_media":153,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3],"tags":[23,25,24,20],"class_list":["post-137","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-av","tag-depardon","tag-magnum","tag-roversi","tag-visa-pour-limage"],"yoast_head":"\nFestival "Visa pour l'image" (2) : entre photo "boum-boum" et art ? - Jpasc.fr<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/jpasc.fr\/index.php\/2026\/09\/17\/festival-visa-pour-limage-2-entre-photo-boum-boum-et-art\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Festival "Visa pour l'image" (2) : entre photo "boum-boum" et art ? - Jpasc.fr\" \/>\n<meta property=\"og:description\" content=\"Le 16\/09\/2026 Derri\u00e8re cette approche provocatrice il y a une vraie question qui nourrit des tensions internes chez les photographes eux-m\u00eames, dans l’histoire de la photographie et bien s\u00fbr chez les spectateurs, critiques, universitaires qui organisent la r\u00e9ception des photographies. 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